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The Booklovers – The Divine Comedy


 

http://es.wikipedia.org/wiki/The_Divine_Comedy



Fragment #3 – 5 GOLDEN RULES (OR NON-RULES) OF MOVIEMAKING


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5- Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

       



Fragment #2 – Giorgio Agamben, III – Example, THE COMING COMMUNITY, pages 9-10


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One concept that escapes the antinomy of the universal and the particular has long been familiar to us: the example. In any context where it exerts its force, the example is characterized by the fact that it Iholds for all cases of the same type, and, at the same time, it is included among these. It is one singularity among others, which, however, stands for each of them and serves for all. On one hand, every example is treated in effect as a real particular case; but on the other, it remains understood that it cannot serve in its particularity. Neither particular nor universal, the example is a singular object that presents itself as such, that shows its singularity. Hence the pregnancy of the Greek term, for example: para-deigma, that which is shown alongside (like the German Bei-spiel, that which plays alongside). Hence the proper place of the example is alwaysbeside itself, in the empty space in which its undefinable and unforgettable life unfolds. This life is purely linguistic life. Only life in the word is undefinable and unforgettable. Exemplary being is purely linguistic being. Exemplary is what is not defined by any property, except by being-called. Not being-red, but being-called-red; not being-Jakob, but being-called-Jakob defines the example. Hence its ambiguity, just when one has decided to take it really seriously. Being-called-the property that establishes all possible belongings (being-called-Italian, -dog, -Communist)-is also what can bring them all back radically into question. It is the Most Common that cut; off any real community. Hence the impotent omnivalence of whatever being. It is neither apathy nor promiscuity nor resignation. These pure singularities communicate only in the empty space of the example, without being tied by any common property, by any identity . They are expropriated of all identity, so as to appropriate belonging itself, the sign c. Tricksters or fakes, assistants or ‘toons, they are the exemplars of the coming community.

 

La comunita che viene

1990 Giulio Einaudi editore s.p.a., Torino

 

The Coming Community

Translated by Michael Hardt

Published by the University of Minnesota Press, 1993